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Streaming Media Magazine: January/February 2019
by | This is "The Year Before the Year of ATSC 3.0," and that means preparation—not just for broadcasters, but for the streaming industry, as well.
by | Today, Netflix got its first Oscar nomination for Best Picture. That doesn't change the fact that its movie library is shrinking—and often bad.
by | Schools are covered by different copyright measures than the mass public, making it easy for streaming classrooms to get around access controls.
by | Streaming Media West provided a look at new options for demanding live cloud transcoding jobs. Here's a rundown for those who couldn't be there.
by | A series by National Geographic uncovers the absolutely true, incredibly bizarre story of Pixelon, the streaming video company that couldn't stream video.
by | A new television standard, expected to debut in live broadcasts by 2020, brings the best of streaming—such as 4K video—to over-the-air delivery.
by | NDI connectivity and PTZ cameras let producers minimize cable requirements while enhancing opportunities for creativity in camera placement and use. A setup like this can do more with less, and it gives a glimpse into the future of live production.
by | Suffering from common audio problem? Read this entry-level tutorial to learn how to remove transient noises like pops and clicks, clean up pervasive background noises, and punch up weak-sounding audio.
by | If you're looking to add the capabilities of HEVC to your live streams, we recommend giving the Videon Shavano a test drive.